Biofloral · Creator adUGC-001 / 9:16
Channels
One origin file.
Six specifications.
The same product photograph has to become six different assets, because six surfaces disagree on ratio, duration, opening frame, caption policy and encoding. Producing them separately is what makes catalogue video expensive.
Biofloral · Creator adUGC-002 / 9:16
Straight off the pass. Both cuts started as a product photograph.
Cooked for
Amazon
Amazon
Listing video, A+ modules, Sponsored Brands Video and Brand Story, encoded to the current specification so they clear on the first upload.
What ships →Meta
Meta
Distinct openings in the volume the auction requires, because the same creative shown a fourth time converts materially worse than the first.
What ships →Google Shopping
Google Shopping
Feed-ready cuts in the three orientations Google asks for. Supply your own, or the platform generates one from your assets.
What ships →TikTok
TikTok
Vertical product video with several distinct hooks per SKU, because the opening three seconds are a search and a search needs candidates.
What ships →Retail
Retail
In-store screens and retail media, cut for a viewer walking past at three metres with the sound off.
What ships →DOOH
DOOH
Digital panels, cut to the network specification, with one idea carried by the image alone.
What ships →Why the channel decides the edit
A product page video answers a question the photograph could not: scale, texture, how the thing is used. A paid social cut has to be different every time, because the audience is small and sees it often. A marketplace listing video is judged against a still image on the same page. A retail screen is read at three metres in silence. A digital panel gets a few seconds from someone who did not choose to look.
These are not five renders of one film. They are five briefs. What they can share is the origin: one clean photograph of the product, and one production line that knows each specification. That is the whole argument for ordering video by channel rather than by format.
Start here
Judge the work, not the deck.
Most studios answer a brief with a deck and a rate card. We answer it with the film. Tell us what you sell and where you run ads, and the first thing you receive is a finished cut of your own product.
- One SKU, one finished cut, back within two business days, at no cost.
- A written production plan: formats, volumes, markets, timeline.
- No retainer, no lock-in, month to month.
No call required to see the work. The full service log is right here.